Tag Archives: African Diaspora

The Oxford Handbook of Public Archaeology

The Oxford Handbook of Public ArchaeologyThe Oxford Handbook of Public Archaeology, edited by Robin Skeates, Carol McDavid and John Carman, just came out last month (March, 2012)…I co-authored one of the chapters (Chapter 31: “Descent community partnering, the politics of time, and the logistics of reality: tales from North American, African diaspora, archaeology”)…but I have to confess, the volume ain’t cheap…

According to the OUP website, the volume seeks to…

reappraise the place of archaeology in the contemporary world by providing a series of essays that critically engage with both old and current debates in the field of public archaeology.  Divided into four distinct sections and drawing across disciplines in this dynamic field, the volume aims to evaluate the range of research strategies and methods used in archaeological heritage and museum studies, identify and contribute to key contemporary debates, critically explore the history of archaeological resource management, and question the fundamental principles and practices through which the archaeological past is understood and used today.

The volume also includes many friends & colleagues such as Fred McGhee, Adrian Praetzellis, Barbara Little, Michael Nassaney, Margaret Purser, Kevin Bartoy, Patrice Jeppson, Cheryl LaRoche, Alice Kehoe, and David Gadsby…and many, many more (it’s a “cast of thousands”).  Check it out (probably, quite literally…”check it out” of the nearest research library that has the money to buy it).

 

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Slavery & Historical Memory: Penny Lane is in my Ears and in My Eyes; and the Eyes of Texas are Upon You…

Yesterday, the AP posted a brief article that touches upon some sticky issues when it comes to history, race, representation, popular culture and cultural memory.

Associated Press
Liverpool–Penny Lane will keep its name. City officials said Saturday they would modify a proposal to rename streets linked to the slave trade when they realized the road made famous by the 1967 Beatles song was one of them.

The unassuming suburban avenue was named for James Penny, an 18th-century slave ship owner. Liverpool, the Beatles’ northern English hometown, was once a major hub for the slave trade.

“I don’t think anyone would seriously consider renaming Penny Lane,” said city council member Barbara Mace, who has been pressing to get rid of names linked to slavery.

The council plans to talk Wednesday about a plan to rename several Liverpool streets named for slave traders. Some want to honour Anthony Walker, a black teenager murdered in a July 2005 racial attack. Others suggest renaming streets for abolitionists.

How should nations like the UK (& the US) address their history as nations founded on the enslavement and trade of other, racialized human beings? Do we further suppresss our involvementt in the slave trade by “erasing” the fact that we once venerated these traders with street names? On the other hand, should we now honor abolitionist and victims of racial violence in order to show that our positions have changed? And finally, what significance can we give more recent popular culture (i.e., the Beatles song) when it is more recent and more prominent in our cultural memories.

A personal parallel comes to mind. While I was at the University of Texas they were busy attempting to honor Dr. Martin Luther King, Jr. with a statue–the first such statue on any campus in the US. But where to put our MLK statue?

On the prominent South Mall of the UT campus there stands what is commonly known as the “six pack”–a set of six statues that includes four statues of Confederate soldiers and politicians: Jefferson Davis, Albert Sidney Johnston, Robert E. Lee, and John H. Reagan.

In 2001, UT’s Graduate Student Assembly formed an ad hoc committee on the South Mall statues. The committee found that many students may find the statues objectionable because of the connection between the Confederacy and the institution of slavery, while many other students may view the statues as symbols of individualism, bravery and state pride, and do not perceive the statues as promoting slavery.

The Graduate Student Assembly recommended that the University’s Office of the President take the following actions:

1. Add new plaques next to each of the South Mall statues, to include historical and biographical information regarding the individuals;

2. Create a new University Commission, consisting of faculty, students and community leaders, to study the presence of Confederate statues and symbols on University property;

3. Construct a statue of Barbara Jordan at a prominent location along the pedestrian-friendly portion of Speedway.

Meanwhile, the MLK statue, which was conceived and financed entirely by the University of Texas at Austin student body, was looking for a home…at the time I recall that some outspoken six-pack critics suggested that we place MLK in the center of the South Mall (symbolically confronting the ex-Confederates), or–even more radically–some suggested that we melt down Robert E. Lee and cast MLK out of his remains (I kinda liked the symbolism behind that one).

In the end, MLK ended up on the East Mall (near Anthropology, facing the LBJ Presidential Library) and not confronting the figures of the South Mall. Further, to my knowledge, no explanatory signs have gone up on the South Mall.

More importantly…I feel that the purpose of the MLK statue was to show that the University of Texas was a progressive institution that valued Dr. King’s vision of a diverse society (not unlike Liverpool’s intent to show that it does not value slave traders)…but Texas’ attempt at a progressive image was undermined in January of 2003, when students defaced the MLK statue by pelting it with raw eggs…and again in August of 2004 when vandals painted MLK with silver paint. Finally a guard had to be placed at the statue in order to protect against vandalism…what does this say about the University of Texas’ REAL position toward Dr. King’s beliefs? What will it say when Liverpool street signs with the name “Anthony Walker” on them go missing? Only time will tell us what Liverpool is made of…

The original AP article can be found here:
http://www.theglobeandmail.com/servlet/story/RTGAM.20060710.wxnote10-4/BNStory/Entertainment/home

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www.negroartist.com

I received an unsolicited e-mail the other day from someone who would rather “keep [his] name and contact information private.” The author of this e-mail explained that he authored and hosted a site– http://www.negroartist.com/

The author went on to explain that:

“This site was developed for everyone to use freely at no charge… in other words I will place an artist, dealer, writer etc. on here at no charge. I directly link to their site or provide their direct contact information.”

As this is the philosophy of our own Project Past web site (although we are a platform for anthropologists, archaeologists & historians), it caught my attention…

Take a look at the site….it is rather busy, but has a good amount of content. For my interest, it not only includes hundreds of links to African-American artists (such as Blue Lady by Kelvin Curry pictured to the right), but it also has quite a lot of content relating to African-American history….including galleries of 19th & 20th century images of African-Americans (including negative popular-culture stereotypes) and hunks of slave narratives.

The site is quite eclectic in its attempts at being comprehensive, but it is a worthwhile endeavor….check it out.

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Archaeology of the African Diaspora, Part 2

Here’s a question that I’ve wanted to ask since the last couple of conferences.

Several papers in the “Personal is Political: Archaeological Studies of and in Activist Contexts” session at the last Society for Historical Archaeology meeting asserted that archaeologists working on the African Diaspora needed more (some) training in African and/or African-American studies. I heard similar calls in papers at the last American Anthropological Assocation meetings in the “Can Archaeologists Be Activists?” and “Dialogues in Context: Perspectives on Applied Work in African Diaspora Archaeology” sessions.

So my question(s) is/are: What training do folks who are working out there have now? What would you recommend to students coming into African Diaspora archaeology? Are there programs out there which already cross-train students well?

If you are not an archaeologist but work in the African Diaspora, what training would you expect an archaeologist to have…or better, what training do you WISH archaeologists would get?

On a side note: To me this sounds a lot like the issue of historical archaeologists getting training in historical methods (which gets rehashed every so often on HISTARCH).
If we still haven’t resolved that one, is there hope for tackling this one?

Send me some feedback or leave a comment….

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An Archaeology of the African Diaspora Beyond North America…

Sorry I have been silent the last few weeks….I’ve been at the annual conference of the Society for Historical Archaeologists (SHA) in Sacramento, California….a good time was had by all (or most, anyway).

While at the conference I attended this year’s forum sponsored by the African Diaspora Archaeology Network…By the way, I REALLY like these forums because we get to actually have a dialog rather than giving 20 minute papers to each other with no time to talk about what each of us is doing…..

This year’s forum topic was “The Archaeology of the African Diaspora: Beyond North America and Beyond the Plantation”….Does this seem like an odd title? Does the African Diaspora already suggest a global perspective to you? Then I bet you are NOT an American historical archaeologist….

In North America, what is now increasing being termed “archaeology of the African Diaspora” began life as something called “plantation archaeology” in the 1960s and its focus was enslaved Africans and African-Americans working on lowland plantations in the American South. It expanded to “African-American archaeology” in the 1980s…I liked that the topic opened up to non-plantation settings (such as free black communities), but I was never comfortable with that name….Look at my picture, do I look like an African-American archaeologist?!? Nope, I’m whiter than Whitey Ford….

Although personal identity was not intended in the “African-American archaeology” monkier, as many of us are interested in actually diversifying our discipline to include many more scholars of color, I always felt like a poser being the “African-American Archaeology Network liaison” to the SHA….So I was happy when we recently embraced the “Archaeology of the African Diaspora” title…This name, of course, implies that we know something about the Diaspora in a holistic sense. Unfortunately it is far from true.

With a few notable exceptions, the vast majority of American historical archaeologists still work in North American settings (many still work on plantation sites) and many of us have no clue about the larger Diaspora. These fora are trying to change that. Last year we we organized a forum called “Archaeology of the Black Atlantic” with panelists who worked in Caribbean, in Africa itself (east and west), folks who work on Black British heritage, and (of course) those who work in the United States….

This year Sarah Croucher of the University of Manchester expanded the forum’s theme to include the Diaspora in its global scale…it was great to get a glimpse of the diversity of projects out there–folks working in South Africa, Latin America, the Caribbean, free black sites in the US and Canada, Islamic slavery in east Africa, and so on…

I think we’re moving in the right direction for a proper “Archaeology of the African Diaspora.” …I already can’t wait until next year’s forum.

The African Diaspora Archaeology Network
Join the African-American Archaeology Newtork Listserv

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